Isabella Whitworth

probably more than natural and synthetic dyes, wax, resists, and history

The Dyeing Year

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A whole extra pile of mail arrives before Christmas in many British households. This is the seasonal appearance of greetings cards from family, friends, neighbours, and sometimes local businesses. In my case, several cards represent the sole contact I have with ‘old’ friends and I actively anticipate their arrival to hear everyone’s news. News isn’t invariably happy, of course, and the saddest cards are those that don’t arrive at all.

Wax resist and steam-fixed silk dyes on silk pongee, 2020

Almost without exception this year’s cards express the anguish of the past months and the hope that 2021 will be better. Among my extended friends and family there have been job losses, health and financial crises, cancelled celebrations, stranded travellers and separated families. I also learnt of the cards that will not make an appearance.

Wax resist and steam-fixed silk dyes on silk pongee, 2020

It hasn’t all been bad. One of the better outcomes of the year’s crisis has been the communication enabled by such platforms as Zoom. I chat to student friends regularly, and have caught up with people who live abroad or far away, or I haven’t seen for several years. I’ve attended an online conference, several lectures, an AGM, a charity concert, various makers’ fairs, and yoga classes. I’ve ‘met’ longterm online correspondents – and liked them as much as I thought I would.

Wax resist and steam-fixed silk dyes on silk pongee, 2020

The beautiful summer weather assisted a stellar indigo crop to mature and I had enough left over from dyeing to make pigment, and contribute to a research project into Japanese indigo. In the last couple of weeks I delivered a batch of scarves (pictured above) to the Devon Guild of Craftsmen, an organisation that has courageously fought for survival through 2020 and is attracting good sales now that it has been able to reopen. My studio output this year has been meagre because I have been occupied by the complicated business of everyday living, but it felt good to deliver a few new pieces of work at long last. Dr Denim, my contribution to the Guild’s annual Members’ Exhibition, won the People’s Choice Award in November. You can read about much of this work in previous posts.

Thank you for following, reading, contacting me, and commenting. May all your 2021s be an improvement on this stressful year.

Japanese indigo in preparation for pigment

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