I’m just home after a fortnight in Scotland, which started at the annual DHA (Dyes in History and Archaeology) conference at the University of Glasgow. I tend to know people by their research – and that’s how they know me. Someone at DHA greeted me as Mrs Orchil: she could also have hailed a Dr Indigo, a Ms Madder and Professor Purple. It’s a friendly conference attended by many world experts in the fields of dyes and pigments, but it welcomes independent scholars like me as well as dyers and textile makers.
I wasn’t giving a paper this year so it was an entirely stress-free conference and I sat back and enjoyed it, or at least, all the bits I understood. There are always some technical papers at DHA concerning dye analysis; the ones packed with acronyms, graphs and molecular structures streak comet-like above my head. But factual gems can lurk amongst figures and statistics, so it’s worth not totally tuning out.
I took a small ‘suitcase’ exhibition with me about orchil and my research studies; most delegates came to look at it and talk to me, and as a result I learned new things about orchil from new perspectives.
The conference tour, after two packed days of papers, took us to Glengoyne Distillery for a fortifying wee dram preceding a tour of the plant, and thence to Stirling Castle where we visited the Tapestry Studios to see the final piece in the Unicorn Series nearing completion.
Sherry and tannins
The Glengoyne tour outlined the lengthy procedure for ageing whisky in casks. Casks are made from different types of oak, but have once held sherry (and some, if I remember correctly, Bourbon). The ageing whisky gradually absorbs colour and flavour from the sherry, and the tannins in the oak cask. The two images above illustrate ageing over thirty years in two different types of cask, with coloration intensifying every year. Evaporation is also evident, with around half the liquid being lost over the period. This lost alcohol is called ‘The Angels’ Share’.
About the pictures
Above is a small selection of textile-related images from Scotland, most of which I tweeted during our trip. My obsession with dye lichens was rewarded by finding Ochrolechia tartarea alongside Loch Ewe, and Lobaria pulmonaria at Oban; Parmelia saxatilis and P. omphalodes were growing at many locations. Note: I was looking, not collecting. A Gaelic-English Dictionary in a hotel room confirmed that in Gaelic crotal refers to boiling water method lichens, but corcur to orchil lichens. If you want to know what orchil is, or read more about my research and views on dyeing with lichens, please visit this page.
I spent a week with Deb Bamford (aka The Mulberry Dyer) learning how to dye Turkey Red at a Summer School in 2013. Read about it from this blog post forwards. In Scotland I found remnants of the Turkey Red industry buildings at Alexandria, on Levenside. There is a great website about the Turkey Red industry here. And read this wonderful book:
Colouring the Nation: The Turkey Red Printed Cotton Industry in Scotland c1840-1940 by Stana Nenadic and Sally Tuckett. Published by National Museums Scotland. From Amazon here.
Unicorn Series: Stirling Castle and West Dean Tapestries
For more on the Unicorn Series, go here for the Stirling Castle story, and here for West Dean’s version.
Glengoyne Distillery, Dumgoyne Glengoyne Distillery
November 21, 2014 at 12:49 am
Fascinating! Thank you for this, Isabella. I look forward to following those embedded links
November 21, 2014 at 4:49 pm
November 25, 2014 at 3:45 am
Thanks for sharing such richness.
November 30, 2014 at 7:29 pm
Sounds like a fascinating conference. I have enjoyed the pictures so much. I don’t use them for dye, but I love lichens. Seasons greetings to you and yours.
November 30, 2014 at 7:42 pm
Many thanks, Joy. And best wishes to you too