Blog-Bite 3 – and almost up to date
It’s great when a student lets me know if something from my course has helped them in their work or studies. Last week I heard from someone on my West Dean course last March . The ‘Brilliant with Pattern’ course introduces several techniques with an emphasis on scarf making, although the skills are useful for general fabric design as well as learning about dyes, wax and silk. The young student who contacted me had just completed a Foundation Course in Sussex. She has been awarded a distinction. She told me she had made her final major project based on what she learned at West Dean and sent me some images, which I have her permission to publish here. Thanks, PJ, and congratulations on your success.
She wrote, about the silk vest in the images: For my final major project I made from georgette silk , the middle panel is actually a print from a photograph I took, using this direct imagery I printed onto transfer paper, then heat pressed onto cotton with an overlay of white chiffon. Then made into a basic top to focus the attention on the print.
More recently I taught two students (J and R) at home. I normally enjoy this: everything is to hand and I don’t have to load the car, drive 200 miles, unload it, sleep in a strange bed with scary pillows and eat too much breakfast every day. There is but one but – and I know it’s something of a cliché. When students come to me I have to tidy the studio. By the time cleaning operations are complete I don’t recognise the place. Acres of floor emerge, bin bags are filled with things I didn’t know I didn’t need, I am emotionally drained by the stress and I then can’t find a thing for weeks.
J and R had a professional interest in learning silk and steam-fixed dye technique. They were already ‘creatives’ which made technical input the most important part of their visit. To realise the designs and garments they planned through the use of wax, resist and dye, they need to experiment with equipment, materials, various dye techniques and resists and work on various weights of silk. Because they live abroad, heat and humidity will play a part in how they work, how dyes need to be stored etc. There was a lot to pack in, from dye basics to some studio safety, steaming, where to buy to buy silk and wax, even how best to label and market work. We discussed various technical issues, such as painting long lengths and supporting the fabric. We had to improvise this to some extent using workbenches: I don’t have a set of shinshi sticks and these days do not paint fabric lengths.
We worked in the garage for the longer length as the studio isn’t big enough. The garage too had required a moderate tidy but the Maintenance Department (also Catering Department for two days) had already taken care of it.
I am hoping J and R keep in touch – I’d love to see how the two days with me translates and how they solve some of the technical difficulties we discussed.
And I now have a squeaky-tidy studio and am scared to go in.