Isabella Whitworth

probably more than natural and synthetic dyes, wax, resists, and history

In the second post…

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It’s time to open the blogdoor and let the first visitors into the studio. Actually, I haven’t been in the studio much today because the red pen is out, which means it’s proofreading time for Journal issue number 245. On Saturday there is a Journal committee meeting in London – always a long and packed day with a trip from rural Devon to buzzing central London and back again. But it’s mentally stimulating, it’s fun and I enjoy seeing friends from far-flung places and eating too many biscuits. We always fight the clock but our chairman wields her claymore and we normally finish the agenda on time.

In the studio I have wax-resist / steam-fixed dye work on the frame in a new series called Between Worlds. I am working on a silk crêpe de Chine and the finished scarf will be 134 cm x 20 cm, or 8″ x 54″ in English. The image on the right above is a scarf that was selected for the National Exhibition of the Guilds of Weavers, Spinners and Dyers last July; on the left, the detail shows a new scarf in early stages of making. I have been using different-shaped wax brushes to create the marks. The design is worked freehand except for a light pencil mark, just visible, which I need to follow in order to define the shapes of the dark pools (or are they shadows?)  beneath the trees.

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